essential techno for the dancefloor. intense and mechanics. techno that comes from the school where axel karakasis (remain records, kombination research, etc..) is an icon. axels remix confirms his experience and his style: groove, breaks, powerful rhythm. you cant go wrong!

psst! shtum is the new sublabel of dresdens uncanny valley and it is created for proper techno and raw house tracks, music best listened to in a room full of strobe light and fog. right at the start youll get monomood with three dark and powerful tracks. parameter one is one of those techno stompers you cant help but fiercely nod your head to. the lyrics in the crafter might suggest it but actually nobody is afraid of the dark. not even after hell breaks loose with unrelenting chords. also, vault takes no prisoners while keeping the cellar door shut with its nasty acid lines and raw drum work. the musical concept has been interpreted visually by aram haydeyan and uncanny valley artist jacob stoy.

paper recordings continue their journey back to plastic with another vinyl release once again proving why they remain one of uks best loved labels. jamie l is a mysterious figure of undisclosed origin and history who fits in to the moodymann / theo parrish mold of heavy future disco, which his new production >(what we saw) in the burg< nails. it is a heavy leftfield groove laid over broken house beats with a filtered bass, samples and leftfield vibe. the detroit pad creeps up to the break and filters in and out as the track works its way through for locked down dance floor business. next up, havana candy breaks out the analogue and takes things deeper and techier. with a rolling bass and tweaking acid line, it cuts to a rhodes before filtering down and riding back to the heads down groove. cottam steps up for paper for the first time and demonstrates what all the fuss is about with a very special mix. clocking in at 9.41 it is deep, tough soulful house that crosses the 4/4 divide from techno to disco and deep house to soul.

>bored of shit< is the first release from new label k!ssa records. it follows dollskabeats debut >zodiac rising / no breaks no sleep< ep, which grabbed the attention of the music press, radio 1 and 6 music back in 2009. an electronic punk sneer and light-hearted grump at the state of modern popular culture, >bored of shit< is perhaps not what people might have expected as a follow up from dollskabeat but either way, it is a sure fire dance-floor filler. the ep also features an exquisite remix from vakula who described the track as impossible not to dance to and guest bass playing from firecrackers fudge fingas. keep your ears peeled for future dollskabeat release >so long for a small storm< - a mould-breaking piece of electronic music that will pick up where she left off. pressed on 180g vinyl and mastered by matt colton at air studios.

it is gonna be a huuge package out on formresonance with this burnin release by wareika: the original track, now timeless on vinyl, comes alongside with their own one on one mix, which tend towards summer breaks and festivals including their unique quality of flying melodies.

adepth audios 8th release is a collaboration between detroits sean deason and dutchman rob belleville. needing little introduction, sean is the owner of respected detroit label matrix records, and the mastermind behind much acclaimed electronic music. robs reputation for relaxing and understated techno is growing with each of his releases. the track >halogen< is a stomper reminiscent of seans classic matrix releases. robs remix has a more electronic feel with wonderful breaks. where you belong is hypnotic music that evolves and lingers. seans interpretation of this track is a mover with all the detroit goodness youd expect. a future classic.

bigm productions is back with a slammin various artist ep, containing four straight floor bombs. with tom drummond & slynk, tosses & varvez and jiggy joe, we got three new artists on the label. and dj rudd is giving his vinyl debut in the house of bigm, after the murder success of his digital debut here. all tracks are mostly breaks and ghettofunk focused, everything with usual bigm groove guarantee!

breaks and hip-hop producer ninelives the cat comes through with this nagging slice of solid production and catchy vocals in the form of >lalala<. the chorus hook will claw into your head like the feline in control, while the choppy funk licks that make up the beat will find a comfortable home on dancefloors all over. on the remix tip, funkanomics bring an uptempo 80s flavour with filtered guitars and brash drum machine beats, while dj alias does a more subtle turn in tightening up the groove of the original. will styles rounds things off with an electro-indebted workout full of chunky synths and club-ready construction.

big with: luciano, 2000and one, karotte, monika kruse, steve lawler, nick curly, gorge, meat, simon baker, rills. after his successful new yoork sun ep in 2011 steffen deux returns to 8bit with a powerful 3 tracker. groovy drummings and percussions tiny melodies and uplifting breaks with a little touch of acid in morning dew make this release a perfect club tool.

ideal audios latest offering is served up by remain & electric rescue.erma finds the duo in sinister form.their mysterious machine opens with a broken beat before its thumping kick-drum breaks through and powered by a rocky electrified bass riff marches on through two huge breakdowns. marc houles remix unleashes a snarling bassline and spritely melody before the snare roll announces the the arrival of the synth line.

finally pressed on 12 inch due to popular demand limited edition red vinyl copies !!! ncludes the huge len faki podium remix!!! get them while you can !!! ltd 2012 repress

welcoming four new artists on field, the eighth ep in the vinyl series hovers somewhere between melancholic breaks, authentic deep house, and riveting techno. upstanding contributions are realized by dutch connoisseurs steffi, mark du mosch, artefakt and area forty_one.

incl marc miroir rmx! the flawless interplay between danilo schneider & eveline fink does not only function properly behind the turntables but first and foremost it results in the full harmony of their production. the ep >numanthia< arisen from their intermeshing cooperation is like a hymn that breaks its way through the listeners ear canal. its all about passion, which ranks first with the duets musical creativity. and this is to be heard. for active support gorgeous marc miroir steps on board to let the adventurous journey start.

ltd disco / breaks edits of this well known punk legends

foreign sunrises are always inspiring an artist. festival gigs with amazing music and extraordinary people making you feel the real magic of electronic music. einmusik packed all those things and made a dreamy and mysterious ep called >damgala<. only two tracks coming up, but they are special and wistful - nothing more is left to say about the feelings of an artist traveling all over the world since months. >damgala< itself is a song with unsettling synths, an undulating baseline and rolling drums. the breaks are so strong and suprising and you will never forget this sensuous chorus. >st.anna< is the second number on the ep. it is made by mars leder and einmusik. they meet each other on several parties in berlin. mars, a young and talented dj also plays a lot of instruments and so they made a studio session with different sequences. the guitar is clear and melancholic, the synths are soft and the bass is catching you. close your eyes and feel the song without being prejudiced by some words.

hannover based imprint yippiee return with the outstanding come with me ep this august by manuel moreno, backed with remixes from label owners filtertypen and normen hood. this release follows the success of yippiees treibgut sonder kompilation which featured cuts from deepnhouse heavy hitters chris lattner, moritz piske, patlac and gorge to name a few. now the german imprint deliver this four track single from swiss producer manuel moreno whos releases on 8bit and dj sets at space and privilege (ibiza) have earned him a highly praised status in the underground. title track, come with me, opens the release, encompassing a boomy kick drum, tight drum programming and ethereal atmospherics to create a deep and dark distinctive quality. the inclusion of a gritty sub bassline further fuels its murky progressive vibe, while the introduction of a soulful vocal hook and bright string melodies adds a lighter touch to the composition.label owners filtertypen opt for a less is more approach to their remix of come with me. stripping back the atmospherics to a more dismantled state, the duo-apply punchy drums and a warbling sub-bass,resulting in a smooth rolling groove that runs steadily for its duration. the cut comes into fruition threeminutes in when the pair bring in an amalgamation of deep strings, synth shots and delayed fx, finely placedto create an expansive dynamism. hello bernhard employs deep worldly percussion as its driving force, while guitar licks and warm chordscreate undeniably beautiful imagery. moreno demonstrates his ability to manipulate melodies with precisionhere, introducing several elements to play off one another in a call and response fashion. last up on the wax release is im sorry, a solid slice of house built around rolling toms, sawtooth bass notes and trippy vocal murmurs. manuel utilizes heavy delays and big room reverbs to create cavernous effects in the breaks that adds an incredible weight when the preceding groove is brought back in. to close the release normen hood offers up a remix of hello bernhard as a digital bonus. applying deep house tactics, hood plays on warm piano stabs and brass hooks that deviate around the tight-knit drums for several minutes creating an epic rework.

big mash up party breaks from the stantons!! loletta holloway meets the beach boys on the a side! flip for a young mcs know how over a stanton beat on the b side!! repress 2012

nice price deal !!! technical itch & dylan are known for their uncompromising dark sound and heavy punishing breaks. over the past decade technical itch & dylan have done critically acclaimed remixes and collaborations that became known as staple tunes within the drum n bass culture and scene. works such as photek - baltimore (tech itch & dylan remix) and the legend quickly were well received by all members of the drum n bass community from all parts of the world. legendary is an understatement to describe the level of influence that tech itch & dylan have had on many forms modern drum n bass.

after a successful first e.p. axe gabba murda mob is back at their own base to deliver another heavy impact high level dose of technical (uk) hardcore. axe gabba murda mob combines vicious breaks with filthy kicks combined with 1 million of edits. also this e.p. is again a 4 tracker, featuring both slow and fast ultraviolent hardcore. mayo bayo bastards, repeat precription, take it to the man and get ya prambs up complete another quality e.p. limited press also so order as many copies as you can before it is sold out. the first e.p. is very low on stock so you might wanna grab that one as well!

finally! after already two digital releases on bigm productions, stereo beatz now presents his first vinyl 12 inch ep, packed full with four stereo beatz bombs. from ghetto funk over breaker breats and breakbeat to oldskool breaks, the records contains a great variety of huge slammers for the floor. a peak time choice and must have.

ladies and gentlemen. we proudly present: the gemini bros. with their 12 inch vinyl single >trump skyscrapers<, the twins from bucharest provide a huge show for a debut on bigm productions. following their motto >keep the funk alive<, they present a funky, groovy and loungy breaks tune with great remixes by cmc&silenta, dj nixon of mustbeat crew and jon kennedy & ewan hoozami.

secret circuit, having been knighted by tastemaker tim sweeney by releasing their first 12? on his beats in space imprint, seriously run the voodoo down with this intense jam:jungle drums, spellbinding exotic chants once obstinately nesting in your head once you heard them, cheeping, bleeping and tweeting dub noises messing with your sense of orientation, gyrating guitar chords in a my bloody valentine style and between all this wonderful sonic chaos a slightly latin jazz tinged piano breaks its way. a beautiful maze of a track where you easily can get lost in for the rest of this summer. on the flip portugals tiago accentuates the cosmic rock vibe throwing in an aggressive guitar riff that sounds very much like chicagos im a man and prins thomas chucks the looser jam-like first part of the original over board and bundles the psychedelic elements to a breathlessly, constantly intensifying pressure cooker.

on >work that shit party<, a fingers inc. style rhythm buttresses a two-note riff, a crackling male voice filtering in from the ether. a pinging keyboard zips around before that two-note flicker expands and contracts, warps and wheedles. but around halfway in, a female vocal refrain of >gonna work it out< breaks fat lacerations into pinholes, blaring keyboards seeping in through the gaps and crevices. then, as with >d117<, it is the congealing of all these disparate elements: a work it out from fischerspooners lizzy yoder sashaying with the two-note riff, the keyboards bouncing off the ceiling, and flaring hi-hats fraying the surface played by pat mahoney (lcd soundsystem). each portion is given its due, only to make the ensuing combination that much more enthralling.

und wieder heißen wir einen neuen kuenstler in unserer kleinen familie herzlichst willkommen. aufgewachsen im ruhrgebiet, lebt scrounger seit einigen jahren in seiner wahlheimat koeln, zieht hier durch die clubs der stadt und der umgebung, und liefert dem publikum organisch-elektronische sets zwischen house und techno - sorgfältig ausgewaehlt und mit liebe fürs detail. so auch auf seiner debut ep namens >gretchenfrage< auf ostwind records. >darlehen< und >innere werte< erinnern an alte akufen releases. durch knackige beats und rollende grooves, kurze treibende breaks und kleinen vocal fetzen haben diese tracks ihren ganz eigenen charme und gesellen sich in eine riege mit produktionen von super flu, andhim oder cascandy

fresh out of melbournes reputed house scene, the tortoise is one of the hottest talents to emerge from the current wave of house breaking down under. a side the puffing tortoise captures the 21-year-olds precocious talent and aims it squarely at the peak time. working his trademark airy vocals around a familiar disco refrain and bubbling bass, he works the track into a sweaty climax and skilfully keeps it there throughout the midsection. turning in a late night chugger on their remix, berlin based canadians the mole and hreno ride an insistent pulse and insect like percussion. twisting the samples, they guide the track into a dark jungle of chattering sounds to temper the tortoise youthful exuberance. the analogue melancholy of keep on keepin on is all in the sweeping synths and twinkling effects. recoiling the tension, the chicago influenced track seeps through the speakers and will sound as good at home as it will during specially chosen dancefloor moments. rondenion approaches the title track with fearless disregard for the original, combining the swelling tortoise sound with something entirely his own. his addition of a funk fuelled midsection, really breaks the track down and adds another slice of character to an ep already brimming with it.

the third installment in the cobblestone jazz 12? series brings two more tracks. on the a side we find whos future?. full of bubbling elastic bass and deep chord swells, its a laidback affair with a snappy groove to push it along. on the flip is across the nation, a stripped out and up-tempo electro jam with crisp breaks and gated pads. all the elements mingle together to create a thick bed of future funk. another wheel for your wagon.

italojohnsons first release in 2012 breaks the standards of the classic 12 inch model with two tracks representing a double a-side on a 10-inch vinyl. this is the first release that is branded with the italiojohnson logo so grab it while its hot because stickered copies are limited to 500 vinyl.the stamped side blows you away with a solid bassline powerful enough to light your ass on fire. unique fx-sounds, an explicit arrangement and sharp drumming pull the track together.the flip side provides you with proper house music as the vigorous, repetitive vocal-stabs, a hells bells bass and the fearless 707 drums flow into italojohnsons trademark sound.any questions?

any fan of drum & bass will know the name cyantific. having built a reputation as a leader of the new school d&b generation, jon stanley is now approaching a decade of releasing incredible music thats equally at home on the dance floor as it is on your ipod or in your car. last year saw cyantific unleash an incredible single for ram records, as well as bounce it / obey on his own self-titled cyantific record label. here we have the follow up to that release and its undoubtedly another exciting 12 inch, packed with plenty of cyantifics trademark energy. effortlessly combining sharp production skills with graceful musicality, you can always be assured that a new cyantific record is one to watch out for and this new single is certainly no exception. mirador takes the lead, opening with huge sweeping sound fx and a bouncing synth line that harks back to a classic ram sound. its not long before you notice cyantifics signatures though, as he brings in vocal snippets and washing pads that gradually build and grow before a monster bassline drops into the mix. this one undeniably straddles the line between restrained musical class and outright dance floor mayhem. on the flip side defect comes in at an infinitely more paranoid level. strings are infused with urgency and rolling breaks thunder along, dragging you kicking and screaming towards the inevitable drop. you wont be disappointed when it hits either, grinding bassline sections are juxtaposed with obsessive synths, all pulling you deeper into cyantifics musical world.

all nite ep is the young mancunian waltons second set on hyperdub, after his very well received walton ep debut for the label in 2011. title cut >all nite< kicks it off with warm plucked strings, diva moans and lazer-like synths stretched to the point of anticipation over cracking grime handclaps and bass drums, until the track drops into a blocky bass line playing hide and seek with low arpeggios that spiral in and out of the mix, over a giant pounding metallic kick drum before layering on the warmth again. the whole track plays with a fine balance between warm, disco-like lushness and exuberant roughness. >mallet< is driving and darker, building detuned, bell-like tones over a 4/4 beat accented by breaks and fills and gaps, dropping into a big bass line and syncopations that disrupt the beat and bring the drama. >kush< is different again, taking the pace down with low end, synth hip hop with glassy chords, running over woozy pitch shifting rhodes chords fed through a layer of crackly gauze.

efdemins vinyl outlet naïf breaks the silence with another double-feature record. side a features his longtime partner in crime rndm with the atmospheric track >recover<. side b finally brings another really nice natural psycho-groove from grimes adhesif.

so disco cakes is back with yet another chart topper. this time the dancefloor outlaws do battle with label bosses defkline & red polo. so what happens when the kings of booty breaks take on the might of the outlaws? well you get an ep of epic proportions. its packed with both there styles, the booty shacking bass and hooky vocals you have come to expect from defkline & red polo matched up against the crowd pleasing disco esq funk you have come to expect from the dancefloor outlaws. they are 4 cuts that will sit in your bag and be weapons in your artillery for a long time to come. available in both vinyl and digital these bombs will shake the dance and work the crowd in true cakes fashion.

another strong package from the avian camp. black label feat. limited a5 postcard. expect support from sigha, luke slater, silent servant, marcel fengler & shifted etc... new from avian - a collaborative release from two well known artists. >transversal< is the the first part in a continuing project under the ad/s moniker. on the flip sigha turns the original deeply hypnotic & ventress breaks the beats and focuses on atmosphere.

2012 is the time for john lord fonda to come back to the light, starting with a huge techno ep >bang the fire!<, including two original tracks bang and >heaven s on fire< both with a minimal techno imprint. this new release is the first extract from his forthcoming album, scheduled for 2012.
>bang< open the tracklisting, a classic john lord fonda track, energetic like always as even if he takes time, he drives us in the end in huge orgasmic breaks, quite intensive…,. then we continue with a kazyo (from teenage bad girl) remix that delivers a dancefloor epileptic killer version. electric rescue is fascinated by the energy of techno music, so he did a very minimal but powerful version.

marcos cabral and jacques renaults latest on the prowl 12 inch features the return of andy ash, the man who dropped >another world< with them last year (otp007) as well as a grab of edits on otp party breaks way back in 2010. as is to be expected with the talented, young producer, the ep is all groovy, bouncy, high-octane house with a hardy injection of disco glitz.

after countless collaborations with george in apparel music is consecrate time to this amazing artist with a vinyl. yapacc is a trademark sound that mixes techno and deep so masterful and unique. every breath of his soul shines in his works that transmit to us lot of emotions in one hit, an orchestra that in the song earth race reaches its peak, showing us new worlds, becoming glue wet, wrap around our ears. a magic stamped into the groove. rhythm to dakar is a flight for dancefloor. funky bass takes us back in time, but without losing the essential direction of the grooves fresh and spreadable. alejandro mosso to close delight us using a toll seamples. the culture changes, the rhythm as well, but not the pathos that yapacc has created for this release. alejandro breaks down and reassembled to create a whole new world, parallel but different from the original mix.

le peuple de l herbe eine mixtur aus triphoppiger electro, hip hop, dub, funk, jungle und alternative-rock, mit messerscharfen breaks und bläsersätzen.

well roundeds unrestricted by genre label present to you 3 hype juke vibed bangers from atlantas distal. on >stuck up money< he hooks up with one of jukes leading talents dj rashad. dirty south battles chicago juke and everyone comes out a winner. drawled vocals against frenetic footwerkin beats makes for a fresh combination. on >behold the jungle< a massive musical quotation is submerged by a swarm of angry hoovers whereupon all manner of musical madness kicks off!! >short & sweet< cuts up the breaks over a rollercoaster of sub bass. belgian techno stabs contribute to the mayhem.

if it would not be so cold outside, the latest shot of insistmusic would become an instant party classic. what ping! from thuringia have delivered this time at least definitely feels that way. the third edition of the frankfurt based vinyl label presents an intelligent, groovy techno: predictable enough to entrain, diversified enough to pleasantly surprise. the opening track depature marches across the dance floor, picking up the playful dancers with its funky offbeat elements in the beginning and taking them on an,ecstatic journey with its cleverly placed breaks. in the remix by label mate sascha sonido depature catches a touch of tribal techno moving the track with its vocals like rolling sound figures a good bit further into the house cosmos.

re-release! melodies and words are in faccinis bones and his finely crafted songs resonate with traces of his ancestry. if his songs were maps they would stretch from the english moors to the saharan dunes via the parched plains of the mediterrannean before spanning the atlantic ocean all the way to the mississippi delta. for piers, recording albums means surrounding himself with old friends, people he can talk music with, true accomplices, fellow souls who share a common vision. a soulful and expressive singer/songwriter whose music fuses folk, acoustic blues, and west african textures.
double 12 inch vinyl plus cd-copy of the full album.

after they already introduced themselves vinylside on v.a. bigmp16, nynfus corp. now starts straight into the new year with their own ep as first bigm vinyl for 2012. a smashing 12 inch mashup ep with club blowing breaks in four different styled tunes, to present their whole variety of amazing skillz from budapest. whhheeeewww!

played and supported by luke slater,and, cedrik, marcel dettmann,inigo kennedy, norman nodge, dadub,conrad van orton, audio injection and more.timber-seeking and testing are the key for ang,a label engaged in a large range of electronic music.this label wants to transmit the direct action of sound on the soul.composition comes into contact with the soul and establishes the resonance.a label that cant be described simply by being ambient,but surely it is a label with music suspended between astraction and representation,a synthesis of external vision and internal contemplation.a long journey called ang this was the presentation of the concept when gianluca angelini began his digital label. the time is past and the love for electronic music, his background, and feedback from many great artists made sure that ang born vinyl. and here we are.the first vinyl ang is completely electronic music (as always has been)! the labels owner shows three tracks.in the a side,sound p.q.r. is a reminder to all that influenced the musical life of the artist.rhythmic breaks. hypnotic sounds like a battle game.tb - 303. classic vocal samples of the first series simon harris.edge of kaos is as confusing as the title describes it.fast rhythmic breaks alternate with moments of reflection, then again kaos,frenetic and abstract rhythm.the nonsense that so influenced generations of electronic music lovers.the b side is luke sinewalker.a journey through the hypnotic parts of a pure electro!this is just the beginning.we confirm for the new vinyl label a long journey called ang.

for his debut on circus recordings maher teams up with fellow montreal man michael gracioppo aka casa. with a successful 8bit ep under his belt, plus a remix of homeworks >i m into this<, the canadian is a talent to keep an eye on. >malgra< sees the pair plunging deep under the jungle canopy. xylophone melody, drum rolls and dramatic breaks help create a unique atmosphere.
a bumper remix package is lead by kaiserdisco who bring their trademark funk with a weighty, warped baseline and euphoric break.
new zealands emerson todd follows us recent smash on saved with a smooth house workout. from the sleekness of that mix to the downright trip-tastic rework from new boys, acid mondays. these cats have been playing with those tree frogs again!

vier mal dillon ganz anders: nach dem sensationellen debütalbum von dillon und einer ausverkauften tour folgt nur die erste remix-single! disco, dubstep, house, techno, strobo-licht, cowbells, handclaps, piano, breaks - for those who know remixes mit dem house-maestro chaim aus tel aviv, dem disco-/house-newcomer call super (five easy pieces/london), dem hot n coming dubstep-duo kodiak (numbers/london) und den tech-house hit-lieferanten catz n dogz! tipp!

alberto pascual analytic trail after anagrams ep in 2010, releases for the second time a project of one of the most internationally famous spanish producers, alberto pascual. his works have been played by richie hawtin, dubfire, markantonio, adam beyer, cristian varela, joseph capriati and others techno giants. bailando, is a creative and tasteful ep formed by four track, including a remix of manuel anos a.k.a. psyk, already reached the success with is project released on richie hawtins minus label. the first track is bailando, it has a powerful charge with its massive groove and obstinate synth that flies hasty on a swarm of rides. no breaks in this tune, techno device. bailando continues to leave its mark through another spanish producer, his name is manuel anos a.k.a. psyk. he creates an amazing remix made by a weighty kick and a compressed bassline, this compact but hard beat is surrounded by acid sounds and increasing effects that make of this track a dark techno wave of course.amok has a rousing modulation that directs the track in a swinging vibe with linear claps and hihats. but is just the beginning, after few minutes something changes, a dirty synth in background starts to support an hurry beat that goes on till the break. here everything seems to quiet till the restart, where the ride rules and nobody cant avoid its rage. final lap with homonymous track of this ep. this artist on this tune can show his eclecticism using a techno unbreakable step with electronic cyclic string. wonderful underground soundtrack. so young, so strong, so techno. this is another quality touch for analytic trail, good music must be appreciated.

absolute floor bangers by the axe gabba murda mob cartel. featuring the already famous axe gabba murda mob theme tune and 3 other savage high quality tracks full of complex breaks and hardcore edits. new fresh label from uks finest.

limited backstock of this 2002 electro/breaks album by monophace aka niederflur for kanzleramts sublabel k2o.

it has been a while since alex showed up with a follow up on credo, but as you know, good things do not only last for a while, they also require some time to be finished and this result is more than worth to wait for! hollywood bullet might remind you on some classic trackss essence and it kicks of impressively however, the real >go< follows after huuuge breaks and now its your turn to free the animals on the dancefloor with this weapon that contains not only plenty of energetic basslinesounds, but also load of colors which could be missed these days on often very monotonous technoproductions. alex is not afraid of bringing colors, and not only shades on credo, and so does heartattack: a really weird and unexpected groove on 120 bpm only, even kind of housy, but the upbuilding rythmic noises bring the track back to where it comes from, and this is nothing else as pure bassic energy. very very big release in our eyes!

since we met ark in spain a while ago. after being around since 1997, we were curious what he would do for a small label like klamauk. well, we are happy that we ve got one we really love for its moods. his track >fat runner< is a deep growing house track with arks typical kind of breaks, getting faster and faster, ending in a true dance monster. welcome to the klamauk family